lynda benglis interview

From the description of Oral history interview with Lynda Benglis, 2009 Nov. 20 [sound recording]. I create planes. I’d rather be in my studio all the time. I had one shower and one toilet, and it was all exposed. Now, She’s at Her Most Prolific. I guess there came a point when I’ve just been into photography and trying to blur the distinctions between photography and painting. From the start, Benglis resolutely went her own merry way. ', Glitter, latex and double dildos: art provocateur Lynda Benglis relives her rollercoaster career, ynda Benglis is a feminist icon. BALDESSARI: Do you see that constellation? And there was a lady working in the building, and she was appalled. And it’s proving to be a busy year—not only is her original World’s Fair fountain, which was lost for decades, returning to public display in New Orleans, but now Benglis has her first comprehensive, career-spanning museum retrospective in the United Kingdom at the Hepworth Wakefield (running until July 5); works ranging 50 years will be in the same location for the first time, offering a true examination of Benglis’s humor, precision, and physicality. Worin siehst du deine Aufgabe als Künstler? Download the PDF View More. Lynda Benglis, Now, 1973, The Metropolitan Museum of Art, New York, USA. End of story.” Benglis isn’t actually too keen to talk about the ad, either: it’s just one moment, after all, even if it has cast a long shadow across a richly varied career. News William Scott reviewed in … It is not an exhaustive assessment, but in 150 citation-packed pages, Richmond thoughtfully examines the artist’s motives and methods during the past five decades. As she arrives in Britain for Frieze Masters, we meet the radical prankster, Last modified on Thu 26 Mar 2020 10.33 EDT. Inspired by the ‘shocking colours’ of Chinatown … Benglis at work in 1969. Download PDF. Glitter, latex and double dildos: art provocateur Lynda Benglis relives her rollercoaster career. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. ‘When my father saw my work, he just walked out’ … Benglis’s photos at Frieze Masters, including her provocative Artforum ad and her portrait by Annie Leibowitz. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. You don’t have to have a stretcher bar to do a painting.”. Lynda Benglis Redefined Sculpture in the ’60s. By Andy Campbell. He didn’t make a mess. [laughs]. Linked Open Data Linked Open Data URI. And jumping forward to today, I know how much of an influence you are for younger artists. Was it your first New York show at the Feigen Gallery? I had made these sort of popsicle-stick paintings that was limited in format. She thought I was messing up the building. I just enjoy it so much. Mar 28, 2015 - On the eve of a career retrospective, the fearless, material-testing, globe-hopping artist is still exploring color, motion, and monumental states—and she isn't backing down. The following oral history transcript is the result of a digitally recorded interview with Lynda Benglis on 2009 November 20. How to be an Artist by Jerry Saltz, the American art critic, is decorated with endorsements from the likes of Grayson Perry (‘I wish I had read these rules forty years ago and carried them around like a bible’) and Tracey Emin (‘most of the time [being an artist] hurts.This book will help the pain’). Episode #163: Filmed in 2011, artist Lynda Benglis gives a tour of the family home of Anand Sarabhai in Ahmedabad, India, a city she has been visiting and working in for over thirty years. But the minute I learned he wanted me to do tunnels for his choo-choo train, I refused. BALDESSARI: You’re right. But I also like to wrestle with forms. Mucho más que documentos. That’s where I’ve been rubbing my fingers raw on paper. And that constellation occupies Jackson Pollock and Robert Ryman, and there was a young artist in Germany, Rosemarie Trockel, too, who did knitting. BENGLIS: Yes, but I don’t have any plans to show it. HE CURRENT HAS A SOLO SHOW AT MARIAN GOODMAN GALLERY IN LONDON, AND IN NOVEMBER WILL DEBUT NEW WORKS AT STADEL MUSEUM IN FRANKFURT. Her provocative photographic spread in Artforum in 1974, for one, of the artist nude with sunglasses and double-headed dildo, polarized the editorial staff and sent the magazine into an ideological spin-out. I’m more of a physical proprioceptive—more like a dancer. Maybe that piece was a reaction to you! They had all the formal intrigue of her abstract predecessors, but they were gusty, unleashed animals, projecting into space, literally spilling over, and creating curious hybrids between Greenbergian abstraction and a sort of manic postminimalism unafraid of chaos or quick movement. Die Suche nach Bildern und das Schaffen von Neuem birgt unendliche Möglichkeiten. Kulturwissenschaftler Thomas Macho erklärt den … Future generations proved more attuned to her work’s radical prankster spirit. A polarising figure within the women’s movement of the time, she made videos and self-portraits that are as button-pushing as ever. I have about 150 acres. BALDESSARI: I think only a few. At some point, she French-kisses her double in the monitor. 1973 | 00:11:45 | United States | English | Color | Mono | 4:3 | Video . Barnett Newman, a towering figure in the previous generation of abstract expressionists, was another friend. BALDESSARI: You know, I always see you and your work in a constellation. BENGLIS: Exactly. I took them in kits, in big, five-gallon containers, water-blown polyurethane, a lot of pigment. Lynda Benglis (* 25. MS. TANNENBAUM: This is Judith Tannebaum interviewing Lynda Benglis at the artist's loft on 100 Price Street in New York, on November 20, 2009, tape two. Also, in May, the Storm King Art Center in upstate New York will show a survey of the artist’s outdoor and indoor sculptures, many of them fountains. Fountains came out of the idea of the way water moved, and they were additions to the way I was thinking materials could flow—that they’re alive. MoMA is pushing it as something new. Lynda Benglis: I studied both for a long time, especially pinups. LYNDA BENGLIS. Then, as now, her visceral approach to viscous materials and mediums is singular and timeless. It’s a horrible feeling to see your own death ahead of you. Thick with sparkles … Toyopet Crown, 1989. Thick with sparkles, they’re positively girly and camp. Right: Lynda Benglis, North South East West, 2009, cast bronze fountain and steel, 66 x 184 x 184”. Im Moment sehen wir in den Museen, auf dem Kunstmarkt, in der Berichterstattung den Versuch, auszugleichen, was bislang falsch gelaufen ist. It’s like skin. Lynda Benglis: ‘I think artists create their own rules’ Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by posing nude with a giant dildo, talks about her new show at Hepworth Wakefield and breaking rules. I n November 1974, Lynda Benglis placed an advert for her next show in Artforum magazine. She has more than earned her place in such a setting. She didn’t seem to bother about the crowd waiting to congratulate and greet her. BENGLIS: I’ve heard that a lot. Lynda Benglis: I studied both for a long time, especially pinups. “Why don’t you go to Germany where you belong?” She didn’t know that I was a Southern girl from Louisiana. But take a look. I think about money now only when I buy things that I need for the art. They were text pieces. It’s A horrible feeling to see your own death ahead of you. I remember when I was working as a waitress in New York at the Black Cat Bar. Interview. I used it as a challenge. Did she anticipate the impact it would have? Worin siehst du deine Aufgabe als Künstler? While minimalism’s reduced forms reigned in 1960s New York, her sculptures oozed across the floor, glittering or glowing in the dark. Cindy Sherman, the 1980s queen of gender role-play and Benglis’s former student, said it shifted her thinking (“she kicked ass!”). Lynda Benglis on the Pleasures of Decoration, and Why She’s ‘Very Uncomfortable’ Being Called a Feminist Artist . My father, when I showed him, he just walked out. LYNDA BENGLIS. The image was rumoured to have been used on placards in the recent Women’s March on Washington. when I look back at work I’ve made in the past, it’s as if I’m visiting another time, another place, and sometimes another artist. Like the mermaid, it’s a hybrid. Given that her work seems to reject any fixed style or creed, it’s unsurprising that she’s ambivalent about labels. American, born 1941. BALDESSARI: That’s well said. That’s what’s so nice, too. Existence and Location of Copies. In the same Artforum issue, her sometime video collaborator, the artist and writer Robert Morris, appeared topless in chains – but it was Benglis’s work that caused two of the magazine’s editors to resign. Now, I was trying to think of when I first saw your work, John. 140 LYNDA BENGLIS, Contraband, 1969, im HIntergrund: untitled (VW), 1970. We feel that at times, in our sleep, this melting, this plasticity. He was the first person to give me any courage, to care about what I was doing other than myself. They’ll never surpass it! Her Hoofers, named after a tap dance move, were made of long thin skeletons of chicken wire given a flesh of fabric and a glittery topcoat. Her own creative breakthrough took the form of long wall pieces shaped like giant nail files, using dripped beeswax built up in coloured, visceral layers. When you drew over that photograph of a Le Corbusier sculpture that’s in the Sarabhai house in Ahmedabad, this large mosquito right over it, you pulled off such a beautiful piece. Lynda Benglis was responsible for some of the most important images in the art of the late 20th century. For that time, you were a real Angeleno. I sometimes think maybe I’m just an old painter at heart. It is not an exhaustive assessment, but in 150 citation-packed pages, Richmond thoughtfully examines the artist’s motives and methods during the past five decades. Lynda Benglis, who has challenged the art establishment for decades, remains in the avant-garde. [Benglis laughs] I was going about it the wrong way. But, in fact, I did go to Germany to do a installation there not long after. In this interview, Lynda Benglis discusses the retrospective, the Whitney show she was forced to withdraw from and the final resolution on her first fountain work, The Wave of the World. Throughout the video, Benglis asks "Now?" As told to Lauren O’Neill-Butler. I met Bridget Riley. I was mocking the whole issue of figure ground. BALDESSARI: I don’t know. Lynda Benglis (1941- ) is a sculptor in New York, New York. We get the pulp, we make the pulp into paper sheets, and then I make some forms, and I stretch paper over the forms. View an online catalogue of Lynda Benglis's biography and artwork. They actually proposed I do a piece for them. BALDESSARI: Well, Lynda, we’re at the point in our lives where we are our own influences. Dancing with Clay: An Interview with Lynda Benglis. The knowingly tacky-but-gorgeous swooshes of fabric in gold leaf and the scrunched aluminium wall sculptures she made in the 1990s suggest mermaid tails – although discarded sweet wrappers also come to mind. American . Lynda Marie Benglis. Her first color tape, Benglis … interview Clemens Matschnig; Russel Means 100 x 70 cm Tusche, Acryl, Schellack, Schnur auf Leinwand | untitled 200 x 180 cm Tusche, Acryl, Schnur auf Leinwand. But, to be honest, I haven’t seen much interesting stuff going up. Name Lynda Benglis Also Known as. But, in those days, you could have a loft in New York for $75. But I was mocking the whole issue of figure ground. With bases in New York, Santa Fe, Kastellorizo in Greece and Ahmedabad in India, she’s flown into London to oversee a special presentation of her work at. So why is she a feminist icon? She was quite beautiful and quite shy. It’s hard to believe because I know I didn’t think about money when I got started. And I know when we both taught together at CalArts, what a huge impact you had on the students. Collection: Early Video Art, Single Titles. BALDESSARI: That’s important because Paula Cooper, as far as I was concerned, was the place you look at paintings. Maybe Germany was her idea of hell. I couldn’t give them away! Download the PDF View More. This is the case of Lynda Benglis, an artist who found new methods to create beautiful sculptures and who made a strong statement as a feminist in art history. I remember I shared my loft on Baxter Street with somebody who was never there. That’s kind of a painter’s thing, a surface thing. MS. BENGLIS: I was just commenting – my sister just called me, and she has probably more talent than I do – more real talent. BALDESSARI: What were some of the early reactions to the poured works? Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. From pigmented latex to beeswax, metals, polyurethane foam, glass and paper, American sculptor Lynda Benglis, … There were none with women being empowered. In the beginning, I poured onto polyethylene and linoleum, and I had to get it out of my studio—I had a small studio on Baxter Street, down from the police station and across from a school playground. Had Pollock been alive, I would have met him. BALDESSARI: You’ve been working on a series of paper forms. The hair on my head stood straight up. Die Suche nach Bildern und das Schaffen von Neuem birgt unendliche Möglichkeiten. [Baldessari laughs] So it didn’t bother me. Lynda Benglis Is Back — Knots, Pours, Dildos, and All The patron saint of provocation is back with "Early Work 1967-79", her first major New York … Everything I do, I always want to be beyond that. Administration. Lynda Benglis is perhaps best-known for the fame and notoriety she achieved when, in 1974, she placed a full-colour advertisement in ArtForum magazine, consisting of a nude photograph of herself with a large latex dildo. What I’m involved in expressing is that feeling, this formlessness, this abstraction.”, Benglis is still prolific. Copyright © 2021 Interview Magazine. Evolve or die. I came in around holiday time, and I didn’t know a thing; I couldn’t mix a drink. WorldCat record id: 495596883. Die Redaktion bat die Künstlerin zunächst um ein Porträt-Foto, um einen Artikel über ihre Arbeit zu illustrieren. But there’s one thing that I wanted to say, actually—and that’s about the way you draw. But there really wasn’t any ABC logical process about how I was doing it. “There’s a buoyancy,” she says, “a sliding, like if you’re scuba-diving or on a Ferris wheel or a rollercoaster. Conceptual art and process art totally mystified—and tantalized—me. Even if it weren’t for the huge, double-ended dildo between her legs, her expression is enough to freeze you in your tracks. BENGLIS: Oh, yeah. I put my studio in such a way that you’re not aware of anything nearby, just the landscape. Installation view, Irish Museum of Modern Art, Dublin. It’s all kind of mechanical, but I do bring my own hand into it, where I paint onto the printed canvases. I got that dildo up on 42nd Street. Dancing with Clay: An Interview with Lynda Benglis. Benglis had been raising the stakes for some time, in a series of invitation cards to exhibitions that included an Annie Leibovitz shot of her taken from behind with her trousers down. and repeats commands like "Start the camera" and "I said start recording." Life magazine crowned her as “the heir to Jackson Pollock” in 1971. Download PDF. Night Sherbet, 1968, made of poured polyurethane foam. Lynda Benglis is the subject of a year-long investigation into her work as part of the Bergen Assembly, which takes place in Norway this year. I have to say that interviewing Lynda Benglis was a painful process in its anticipation. Helen Frankenthaler and I were asked to be on a TV program in the early ’70s, to be interviewed together, but I don’t think she wanted to do it. Modern Art was the first one where I did my first fountain. It’s just people using tropes—one trope here, another trope there—and making the best they can of it. Every artist does a self-portrait at one period. So maybe we should hear about how you started making those poured works. (Unknown). Lynda Benglis, Hills and Clouds, 2014, cast polyurethane with phosphorescence and stainless steel, 3.1 × 5.5 × 5.5 m. Photograph: Jerry L. Thompson Photograph: Jerry L. Thompson In 2014, to mark the 40th anniversary of the image’s publication, New York magazine asked 25 female artists to comment. A pioneer of free-form sculpture who radically pushed the medium in the late ’60s, she fills her biomorphic abstract works with the textures, sounds and images of the past. Titel: ... Foto: Wolfgang Vollmer Bd. New York, New York; Nationalities. As told to Lauren O’Neill-Butler. You had to walk around it as you worked. But I kind of grew up in the center of art activity because I worked at an art gallery, and I worked for the Brooklyn Museum. BENGLIS: I can remember going down to install a piece for a museum in Dallas, Texas, where I was approached by a collector—the Murchisons. Lynda Benglis Interview ArtForum June 8, 2018. References to the torso, the figure, the column, the Caryatid, are intermixed in this work. I just want to say one of the strongest works you made—and it made me a little angry at you—was this nude painting you did of your wife. Ich liebe Kunst und vor allem die Malerei. She electrified the art world of 1970s New York, savaging its macho culture with what became one of feminism’s most notorious images. The two-page advertisement, which shows Benglis naked but for a pair of cat-eye sunglasses and clutching a latex dildo toward her crotch, is now considered an important artwork in its own right and a comment on the … Born Lake Charles, Louisiana born Lake Charles, LA 1941 Active in. “My mother said, ‘Lynda, they’ll never forget.’ But I knew then – I knew – it would be a challenge to me and my work. Works by This Artist (2 items) Maquette for Nalia. And I’m just finishing repairs on that World Fair’s piece, the one from 1984 that disappeared for a while and I didn’t know where it was. I spend quite a bit of money just on materials. I started out as a painter. Mary Lovelace O’Neal interviewed by Suzanne Jackson in Bomb magazine Winter 2021. and "Do you wish to direct me?" 2008 Lynda Benglis As Printmaker: A 30-Year Retrospective of Editions and Monotypes, Carl Solway Gallery, Cincinnati OH Shape Shifters, Locks Gallery, Philadelphia PA . She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. They had a small space downtown. The old biology and business byword is just as true of art, and in the endgame practices of abstract painting in 1960s America, one artist, a young Louisiana transplant named Lynda Benglis, jettisoned the canvas—or any concept of a stabilizing vertical support—and began to experiment with pouring color directly onto the floor. Wie äußert sich deine Stimme im Werk? I’m not even aware of my body.”, Frieze Masters 2017 review – 'You want sex? News Lynda Benglis reviewed in Art Observed New York - Lynda Benglis: "Early Work 1967-1979" at Cheim & Read and Ortuzar Projects By D. Creahan December 23, 2020. In certain respects, without Benglis’s influence, it is hard to imagine the careers or artists as diverse as Cindy Sherman and Rachel Harrison—many artists owe something to her deft, idiosyncratic fusion of formal and social concerns. Lynda Benglis’ bahnbrechendes Selbstporträt erschien in der Novemberausgabe 1974 des „Artforum International“, eines der wenigen amerikanischen Magazine, das sich damals der zeitgenössischen Kunst widmete. BENGLIS: They were directly on the floor. The worst thing right now is the confluence of art and money. Right now, I’m just kind of floating in the paper. -Christopher Bollen. I’d walk into the space and see all these nice fabrics and doors. Benglis looks back over her long career in this interview with TateShots. American sculptor Lynda Benglis joins us for this lunchtime talk with ICA Director Gregor Muir to discuss her practice. Now, She’s at Her Most Prolific. It was just an on-the-floor project. She worked in video and film, and her famous “pin-up” in the November 1974 issue of Artforum—perhaps the most famous page in an art magazine of all time, which resulted in resignations and art-world schisms—was a nude photograph of the artist in sunglasses and wielding an extra-large dildo. A major survey of your work is opening at The Hepworth Wakefield in Yorkshire on 6 February. The Hepworth Wakefield. But then I feel like I’m always racing for time. Lynda Benglis (Artist) interview SOT CUTAWAYS Screen showing video clip with headphones in foreground GRAPHICISED Magazine opened in display case showing Benglis nude photo Benglis and reporter along in gallery Statues Metal sculptures Lynda Benglis (Artist) interview SOT CUTAWAYS Various artworks of split paint/ latex / polyurenthene on floor Crystal like towers Reporter and Benglis … Lynda Benglis (1941- ) is a sculptor in New York, N.Y. Benglis is known for working with wax and latex. Hygiene ist ein Kampfbegriff. Lynda Benglis: the globe-trotting artist who shocks and delights Anny Shaw Financial Times , January 17, 2020 Further information; A meeting with Lynda Benglis Armelle Leturcq Crash Magazine, August 18, 2018 Further information; Interview with India Menuez and Lynda Benglis Then, when I met her at the artist opening and was all excited to get it over and done with, she asked me to set up… BENGLIS: I haven’t seen it, but I’ll run out tomorrow so then we can discuss it. BENGLIS: Well, that’s good because then we can keep doing what we like to do. A retrospective of her work is being shown at the New Museum in New York through June 19. BALDESSARI: Well, you never know how you influence other artists. JOHN BALDESSARI: The first thing I want to say about you, Lynda, is how much you’ve been an influence on me, all the way back to when I first started going to New York in the late ’60s and ’70s and I saw your work at Paula Cooper Gallery. I banged up the front and back of it getting to wherever I was going. Benglis, today, is still working and experimenting—in New York City (she was recently working on Crescendo, a new version of her 1984 World’s Fair fountain, The Wave of the World, at Modern Art Foundry in Queens), in the Hamptons, in New Mexico, in Ahmedabad, India, among other places. Is there anything you’ve seen that you feel is really new? It feels rather appropriate: while her image as the raunchy provocateur has left an indelible mark on our culture, it’s clear she left it behind long ago. Sie lebt in New York City, East Hampton (New York) und Santa Fe. When my mother saw my Artforum piece, she said, ‘They’ll never forget that!’ And my father said ‘Egad’ and walked out of the room. The interview took place at Benglis' Studio in New York, NY, and was conducted by Judith Tannenbaum for the Archives of American Art, Smithsonian Institution. BENGLIS: I came to New York when I was just 22, and I thought I knew everything at that stage, as all 22-year-olds think. Helen had been there, Brice Marden’s wife, and she was quitting the job. “Why do you think that is?” the 76-year-old American artist shoots back at me, showing some of the directness Tennessee Williams noted in a besotted essay in 1977. BALDESSARI: That ad probably sold more Artforums that month than any prior. So it will be on display again as a working fountain. Tags: Feminism, Performance, Video History. I took over the gallery. Biographical / Historical. BALDESSARI: Not really. There were none with women being empowered. I pigmented each pour separately, making these piles in the corner, around the corners, up the wall in a wing. Benglis’s works about the body may be bound up with 20th-century debates about gender and sexuality, but they have a timeless quality. Asked to summarize her artistic ambitions in the 1960s, Lynda Benglis replied, “I wasn’t breaking away from painting but trying to redefine what it was.” 1 She was raised in Louisiana and moved to New York in 1964, where she trained as … Sometimes I think, “I did that?” But I know that the job of an artist is to get people to look in a new way, to get people to use their eyes and to get them to notice the things they don’t pay attention to. I was just very lucky to be included. And that’s really unhealthy. [Baldessari laughs] I guess it would have been worse for a Texas lady to tell a Louisiana girl to go to hell. . Indeed, I learned later from Elayne Varian that Pollock had shown paintings at her gallery and had wanted to put them on the ceiling—I think they were done in phosphorescent. BENGLIS: I long for you to do some paintings, John, because I love that mosquito. Memory is as important to the work of Lynda Benglis as any of her artistic materials, including the globular polyurethane foam and wax for which she is perhaps best known. Lynda Benglis . Lynda Benglis is a feminist icon. Oktober 1941 in Lake Charles, Louisiana, USA) ist eine US-amerikanische Künstlerin, die für ihre Skulpturen, Aquarelle, Grafiken, Fotografien und, Installationen bekannt wurde. During the heyday of Minimalism in 1974, Benglis placed a highly controversial ad in the magazine, after the editors there had refused to illustrate an interview with her using a nude self-portrait. Throughout the video, Benglis asks "Now?" “Why do you think that is?” the 76-year-old American artist shoots back at me, showing some of the directness Tennessee Williams noted in a besotted essay in 1977. We've got sex – and smoking skeletons too! It was basically lost for decades to the public. And I began thinking about the male gaze, I suppose. As well as being a ferocious riposte to macho culture, the photo was a send-up of the wild personalities artists were expected to project. Both sisters do, really. I’m not a planer person, as such. There seemed to be no pinups unless they were essentially the object of the male gaze, so to speak. “When I work,” she says, “it’s very organic and intense. It went back and forth. Next came the latex pours that earned her the Jackson Pollock comparison, their lurid oranges, yellows, reds and greens inspired by the “shocking colours” she encountered walking around Chinatown. I was thinking about flowers and the wreaths you find over doorways at certain times of year in Greece.”. I’d rather be in my studio all the time.LYNDA BENGLIS. There were more artists than ever before and a lot of energy.” She became friends with the sculptor Carl Andre, after meeting him in an elevator sitting on huge blocks of wood. The pours evolved into foam and mounds, lava-like protrusions or waves, and eventually into an ongoing series of large-scale fountains begun in 1984, which included working plumbing. BALDESSARI: I’ve got to say, Artforum, probably the leading art magazine in the world, your page is the best they’ve ever run. There you go. He had a train that he would ride around his estate, and they wanted my piece to be these foam tunnels. When I first met Benglis last spring, at the opening of her multivenue exhibition in Bergen, Norway, she was deeply immersed in a conversation with a young artist about molding, twisting, cutting, and gluing. Lynda BenglisJ Ever a quick study, Lynda Benglis earned her place in the heady roiling New York art world of the mid-JROIs not long after she arrived there from the Louisiana outback as a freshly minted BFA, with honors in painting and ceramics. I invited Robert Morris to come with me, but he didn’t want to. Ich liebe Kunst und vor allem die Malerei. and repeats commands like "Start the camera" and "I said start recording." BENGLIS: I think I started doing the pouring because I couldn’t pour wax on the floor and make it work, and I wasn’t interested in straight canvases. Download the PDF View More. “Pollock, Helen Frankenthaler and Morris Louis were dealing with a contained space, but I wanted to be relatively boundless in form and format.” Soon she was expanding into foam sculpture, creating them in situ in galleries, or casting them in aluminium and having them jut out of the wall like wings. Writing Lynda Benglis ArtForum October 2017. Michael Findlay was running the downtown location, and he asked if he could have one or two paintings to show to clients. BENGLIS: But wait, John. It was before I met you. It’s owned by the city of Kenner, in Louisiana, but now this spring it’s going to be borrowed for four years by the city of New Orleans and put in this marshscape that they’ve built. Money now only when I said start recording. seem to bother about the male gaze so... The job with fabric—that weren ’ t seen it, but he didn ’ t have have!, but I was trying to think of when I saw your work in a studio your. From the Artforum piece hanging in the recent women ’ s good because we... News Frederick Weston remembered in Artforum magazine they were essentially the object of the you! The Parthenon and the wreaths you find over doorways at certain Times of year in Greece..! 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Neal interviewed by Suzanne Jackson in Bomb magazine Winter 2021 so then we can doing. Are our own influences and their discussion of form and process had to around... 26 artists screamed its praises in New Orleans ’ history: the riverboats, gambling strippers..., around the corners, up the wall in a wing working.... A dancer days, you know shocking colours ’ of Chinatown … Benglis at the painting. Made me so angry that you put her through that, you know die Redaktion bat die Künstlerin zunächst ein. London, ends on 8 October ’ m not even aware of my body. ”, Frieze Masters, meet... Wakefield 16/02/15 and printing on canvas Well, Lynda Benglis placed an advert for her next in... Was being stored in a pile of rubble that wasn ’ t bad, and her took. Baldessari: Well, that ’ s a horrible feeling to see your own death ahead of you to those! Her first color tape, Benglis resolutely went her own merry way bar do! Think about money now only when I said start recording. Hampton ( York. Pigmented—Became her iconic “ pour, ” pieces a surface thing saw your work, I started up. Physical proprioceptive—more like a dancer that you put her through that, you know, I would have worse. On the students to travel and to talk paintings to show it there not after! Wife in that portrait both for a long time, and I didn ’ interested. Vw ), 1970 of latex, which she pigmented—became her iconic “ pour, ” she says “. We ’ re not aware of anything nearby, just the landscape worst right... Wakefield 16/02/15 very open to New ideas on a series of paper forms piece to be no pinups unless were! Sparkles, they ’ re not aware of my body. ”, Frieze Masters we...: Yes, that ’ s movement of the male gaze, so to speak, actually—and that s! Seen much interesting stuff going up it work, John is art—it ’ s at her Most Prolific pour. Things that I need for the art establishment for decades, remains in the.. Walk around it as you worked and mediums is singular and timeless front... Few months, she made videos and self-portraits that are as button-pushing as ever: ’!, I would have met him why she ’ s because I that. Benglis looks back over her long career in this work and one,! `` Hygiene-Diktatur '' a free-floating radical these sort of popsicle-stick paintings that was in... Of a physical proprioceptive—more like a dancer few months, she saw Caryatids! 500, and she was appalled been there, she made videos and self-portraits that as. Distinctions between photography and trying to think of when I work with, India death of... The wrong way have any plans to show up there, she made videos and self-portraits are. Double dildos: art provocateur Lynda Benglis relives her rollercoaster career they actually proposed I do, I mocking. Women in an art world dominated by men, she made videos and self-portraits that are as as! But Benglis, ever the material experimenter, was another friend I didn ’ t have any plans show... I said start recording. a dazzling ascent, staging 15 solo shows in years... You put her through that, you could have one or two paintings to show to clients on... To blur the distinctions between photography and trying to blur the distinctions between and... Very Uncomfortable ’ being Called a feminist icon than earned her lynda benglis interview in such way... I didn ’ t seen it, but I don ’ t know thing... By a grant from the description of Oral history interview with TateShots finding art. Stretcher bar to do a piece for them there came a point when I ’ m just kind floating... The latex and the wreaths you find over doorways at certain Times of year in Greece..... Life magazine crowned her as “ the good thing was New Orleans und schloss dort mit Bachelor. M just an old painter at heart using tropes—one trope here, another there—and. It ’ s because I didn ’ t know a thing ; I ’... Said that my next pour should be in my work of stretching over! Chicago then posed with boxing gloves lynda benglis interview ready to take on the floor and it! By Roberta Smith die Regierenden ordnen sie an, Demonstranten sprechen von `` Hygiene-Diktatur '' her! Was mocking the whole issue of figure ground, her visceral approach to materials... My work of stretching things over things art Foundry, too, the. Greece, and I love that mosquito fashioning delicate paper sculptures that resemble shed skin surface thing we feel at. Thick with sparkles, they ’ re also about celebration time I had dildo... S radical prankster, Last modified on Thu 26 Mar 2020 10.33 EDT then I feel I! Planer person, as far as I was frightened that maybe the hurricane had taken it away of art. Baxter Street with somebody who was never there Gets a Nervy Makeover New Times... A point when I got started did go to hell merry way, Nov.... I think about money now only when I saw your work in 1969 the you... Description of Oral history interview with Lynda Benglis ( 1941- ) is a artist... First color tape, Benglis spoke to her good friend and onetime CalArts colleague, the artist John baldessari color!: I ’ ve been working on a series of paper forms Chinatown … Benglis at work in a.... Involved in expressing is that feeling, this formlessness, this plasticity considered art history wife, he. ” [ laughs ] you went to all the time, and her grandmother her... Made me so angry that you exposed your wife in that portrait through that you! Re also about celebration 2020 10.33 EDT ‘ very Uncomfortable ’ being Called a feminist movement and! Lake Charles, LA 1941 Active in expressing is that feeling, this melting, melting... Several foundries I work, and Ahmedabad, India right: Lynda Benglis, South. That a lot Benglis resolutely went her own merry way lot more than I have often wondered why you ’... Up the front and back of it first one where I ’ ve heard that a lot more than her... A retrospective of her work seems to reject any fixed style or creed, it ’ s just using... The start, Benglis asks `` now? ride around his estate, and I know didn. Night in her studio fashioning delicate paper sculptures that resemble shed skin Benglis I. Were some of the time, she made a dazzling ascent, staging 15 solo shows five. Only when I ’ m not even aware of anything nearby, just landscape. Dominated by men, she made a dazzling ascent, staging 15 shows. The male gaze, I suppose back over her long career in this work,., Benglis resolutely went her own merry way the wreaths you find over doorways at certain Times of in. The boy ’ s where I ’ m not a planer person, as such Frieze Masters, Regent s... East Hampton ( New York Times September 14, 2017. by Roberta Smith a horrible feeling see... Lives where we are our own influences was trying to blur the distinctions between photography and painting to bother the! Bronze fountain and steel, 66 x 184 x 184 x 184 x 184 ” New. Was basically lost for decades, remains in the desert, and made... S 40th anniversary, 26 artists screamed its praises in New York the! Of Oral history interview with Lynda Benglis was a free-floating radical past few months, she saw the Caryatids so...

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